用一部片尾的時間

為什麼覺得很累
想要休息的方式卻是寫文= =
所以就把一些之前沒時間寫的東西整理一下好了

This article is an excerpt of a letter that I discussed with someone about the great compositions of some concerts' video recordings. And I have to appreciate my friend Pei-Ling to revise my letter so that it's readable...

...And I trust that a good director can make the audiences become familiar with the music more easily by the images he films. And I found there is a very good producer in Euroart, his name is Paul Smaczny. He cooperates with many great directors, especially Michael Beyer. Although I am just an amateur of classical music and movie and he doesn’t know me, but I think that he did many great videos for Abbado's Mahler recordings. He filmed Abbado and Gustav Mahler Youth Orchestra's Mahler symphony No. 4 in Wiener Musikverein. So I will mention several images below to point out how Michael Beyer filmed good images to make the music more accessible.

音樂演奏的拍攝一直是一件吃力不討好的事：

要如何透過畫面適切地映襯音樂？

兩種性質不同的呈現方式也就注定了這個問題的難度

上一篇大概是因為有點想睡的關係
所以寫得有點像系上文章的風格
我就回個文補充一點其他的東西好了@@